The Emperor of Ocean Park Page 19

  Dee Dee, whose real name I have often been told and can never recall, is a small woman with carefully combed white-blond bangs and wide, solid shoulders. She wears floral-print shirtwaists and knee socks and sensible shoes. Her long, waxy face seems carved from some pallid stone, and her amazingly bright blue eyes often trick the uninitiated into thinking she can see. But Dee Dee is quite blind. She is also determined that our guests (as she calls them) will be treated with respect. We have colorful cotton tablecloths, which Dee Dee herself launders twice a week, vases of flowers on the tables, and strict rules that all food must be served from dishes, never from pots just off the stove or pans just out of the oven. Dee Dee insists that our guests say Please and Thank you and that the rest of us say You’re welcome. Volunteers who are rude receive one warning, after which they are not welcome back. Dee Dee has no authority to bar guests for being rude to the volunteers, but her dead-eyed glare, disconcertingly direct, keeps all but the most schizophrenic in line. Dee Dee runs, by her own gleeful admission, a very tight ship. Her blindness does not affect her ability to know at once, as though through some sightless telepathy, which of her volunteers is being careless in measuring portions of lasagna and which of her guests is trying to stuff an extra apple or two inside her sweater.

  Or who is late.

  Dee Dee puts her large hands on her small hips and leans away, her thin lips turned down as she lets me have it: “Are you saying that your class is more important than feeding these unfortunate women?” Then she smiles and pats my shoulder with amazing accuracy, letting me know that she is mostly joking.

  Mostly.

  But today of all days, I welcome her wit.

  I take my place behind the counter, at the salad station today. A few of the other volunteers say hello. Professor, they call me, a kind of inside joke, although I had the same nickname in high school. Hey, Professor! call volunteers and clients alike. What’s goin on, Pro? I come to the soup kitchen for a million different reasons. One of them, the easiest to see, is service, the simple Christian duty to do for others. Another, always, is the need to be reminded of the diversity of the human race in general and the darker nation in particular: for the students and teachers who represent African America at the university tend to run the gamut mainly from Oak Bluffs to Sag Harbor. And perhaps I have also come here today in part to do penance for my browbeating of poor Avery Knowland, whose insolence is hardly his fault. But even that is still too thin an explanation. This may simply be one of those Tuesdays on which the company of this happy band is preferable to the company of my colleagues, not because of a flaw in my colleagues but because of a flaw in me. There are days when time at the office is like time with the Judge, and the fact that he is dead and buried is irrelevant. At Oldie I am surrounded by people who fondly remember my father as a student: Amy Hefferman, his classmate; Theo Mountain, his teacher; Stuart Land, who was two years behind him in school; a few others. Despite the scandal that wrecked his career, my father’s portrait, like the portraits of all our graduates who have ascended to the bench, hangs on the wall in the vast reading room of the law library, which is one reason I spend little time there. Sometimes I feel suffocated by the role I am required to play: Was Oliver Garland really your father? What did it feel like? As though I am on campus principally to serve as an exhibit. I should never have allowed the Judge to persuade me to undertake the study of law where he had studied law before me; I cannot imagine what possessed me to decide that this was the right place to teach.

  Maybe it was the fact that I had no other attractive offers.

  Or that my father told me to do it.

  I was a dutiful son in most things. My only act of rebellion was to marry Kimberly Madison, with whom I went to law school, when my family preferred her sister, Lindy, with whom I went to college. Kimmer, of course, is well aware of what my parents thought, as she reminded me two weeks ago in the steak house on K Street, and there are moments when the knowledge infuriates her, and other moments when she tells me she wishes I had done what I was expected to do. The trouble is I never loved Lindy, no matter what the Gold Coast seemed to think. And Lindy was never the least bit interested in me. If she had been, I suppose I would have married her, just as my parents wanted, and my life would have been different—not better, just different. I would not have Bentley, for example, which would be inestimably worse. On the other hand, some things would still be the same: the Judge would still be dead of a heart attack, and everybody would still be asking me what arrangements he made, and Freeman Bishop would still have been murdered, and Mariah would still be besotted with crazy theories.

  And I would still be emotionally exhausted.

  Kimmer and I quarreled yesterday morning, not over what she is or is not doing with Jerry, but over money. We have the same fight every autumn, because autumn seems to be the time when we realize that the budget we so carefully laid out in January has become a bad joke: in that respect, we do about as well, or as badly, as the federal government. Standing in the doorway to the walk-in closet while Kimmer, clad only in bra and half-slip, selected the day’s power suit, I suggested to her that we cut back. She asked where, without turning. I pointed, somewhat gingerly, to her expenditures on clothes and jewelry. Exasperated, she explained that she is a corporate lawyer and must dress the part. So I mentioned the stifling lease payments on her Alpine white BMW M5, in which she zips around the city while I huff along in my boring but reliable Camry. The car, too, turned out to be more or less a requirement of her job. I proposed that we think about moving to a smaller house. Kimmer, shimmying into her skirt, said that our residence is also a part of her professional persona. As I shook my head in defeat, she glanced over her shoulder at me and smiled the way I like best. Then she raised the stakes, reminding me tartly that we now own the house in Oak Bluffs free and clear: we could sell it and fix all our financial woes at once. I unwisely answered in kind, asserting that the Vineyard place is necessary to my persona, and that selling it would be like rejecting my heritage. As it does every year, the argument ended inconclusively.

  Rob Saltpeter scolded me yesterday when he and Theo Mountain and I lunched at a place called Cadaver’s, a converted funeral home two blocks from the campus, a little pricey, with waiters who are paid to be weird. Rob proposed that I might have come back too soon, that I need some time to heal. He suggested I take a look at the Book of Job. Theo Mountain, never one to mince words, said it is not just exhaustion, and I didn’t need “to read a bunch of Bible verses.” He said I may be depressed.

  And Theo is probably right. I am depressed. And I almost like it. Depression is seductive: it offends and teases, frightens you and draws you in, tempting you with its promise of sweet oblivion, then overwhelming you with a nearly sexual power, squirming past your defenses, dissolving your will, invading the tired spirit so utterly that it becomes difficult to recall that you ever lived without it . . . or to imagine that you might live that way again. With all the guile of Satan himself, depression persuades you that its invasion was all your own idea, that you wanted it all along. It fogs the part of the brain that reasons, that knows right and wrong. It captures you with its warm, guilty, hateful pleasures, and, worst of all, it becomes familiar. All at once, you find yourself in thrall to the very thing that most terrifies you. Your work slides, your friendships slide, your marriage slides, but you scarcely notice: to be depressed is to be half in love with disaster.

  “So snap out of it,” I say to the room, startling another volunteer, who is laying out week-old cookies at the station next to mine. I smile apologetically into her perplexity and turn back to my work. Maybe you’re depressed, said Theo, who, it is whispered, has never missed a day of class in fifty years on the faculty. In the peculiar intermingling of old Elm Harbor families, Theo and Dee Dee are distant relatives, and it was Theo who first suggested, at a particularly difficult point in my marriage, that I volunteer at the soup kitchen as a way of raising my spirits. It worked for me, proclaimed Theo, whose
wife has been in the ground since I was a student.

  Measuring the salad onto small paper plates, I stand a little straighter; and, for a time, through service I manage to forget.

  (III)

  DEE DEE LEADS US in a brief prayer and we are open for business. She turns on music: a portable CD player with large, scratchy speakers. For a while she tried to push classical music (her tastes run only as far as the three B’s), but she has yielded to the pressures of time and place and now plays smooth jazz and, occasionally, something harder-edged. We serve a hard, edgy crowd. Nearly all the women are black. Few make much effort with appearances any more. Most arrive with hair mashed and twisted, in unwashed sweatshirts and dirty jeans. There is grime under their cracked, badly painted nails. A handful have white teeth, but most passed long ago from yellow to brown. Several have problems with drugs. A few are quite obviously HIV-positive. The women drag themselves through the line like forgotten spirits shuffling off toward the River Styx. They are neither enthusiastic nor reluctant, neither fatalistic nor indignant. They are, for the most part, utterly without affect. They do not grin, cry, laugh, complain. They are merely present. In college, we would-be revolutionaries pretended that the oppressed would one day rise as a mighty army to smite the capitalists, overthrow the system, and establish a truly just society. Well, here are a couple of dozen of the most oppressed people in America, all lined up for their food, and the greatest passion they are able to summon is for brief but heated argument over who got the larger portion. Half may be dead in two years. If not for the hopeful, innocent beauty of their children, who still return a smile for a smile, I probably could not bear to come at all.

  Few of the women want salad, although one of them propositions me quite openly as she passes by (“No salad, but, mmmm-mmmm, I’d sure like to get me a piece of you”). I want to weep.

  This is what conservatives have spawned with their welfare cuts and their indifference to the plight of those not like themselves, say my colleagues at the university. This is what liberals have spawned with their fostering of the victim mentality and their indifference to the traditional values of hard work and family, my father used to tell his cheering audiences. In my sour moments, it strikes me that both sides seem much more interested in winning the argument than in alleviating these women’s suffering. Service. Theo Mountain is right. No other answer but that one.

  “Talcott?”

  I turn around, the cracked wooden salad spoons still in my hands.

  “Yes, Dee Dee?”

  “Talcott, there’s somebody at the door asking for you.”

  “He can’t come in?”

  “She doesn’t want to.” A teasing smile dances at the corner of Dee Dee’s lips, and she flashes dimples that must once have been spectacular.

  “One minute.”

  I return to the kitchen to find somebody to take over my unpopular station. I remove my apron and throw my gloves in the trash. After retrieving my jacket, I follow Dee Dee as she tap-taps her way up the concrete stairs to the entrance, where Romeo, the only other male volunteer, guards the door. Romeo’s skin is the black-brown of a tree trunk on a moonless night. He is a man of no particular age, big in all directions. Although some of his heft is fat, most of it is not. Romeo’s meaty hands are always wandering, the result of some nervous disorder, but a menacing effect. He is often a little slow, but his vaguely Southern patois is never hard to understand. I do not know where Romeo comes from or even his real name. He was once on the street, as he puts it—meaning he dealt drugs—but managed to find Jesus without the inconvenience of first going to prison. His round, clean-shaven face has a battered look. He is far more gentle than he appears; but it is his appearance on which the church relies to scare away anybody who thinks of breaking the women-and-children-only rule.

  “She gone, Miss Dee Dee,” he mumbles now, the immense hands rubbing each other furiously. “She say she can’t wait.”

  “What did she look like?”

  “A white girl,” says Romeo as Dee Dee listens closely to us both. “Clean,” he adds, meaning, Not like the women inside.

  “A white woman,” I repeat, wondering who, and also correcting him with the reflex born of life on a politically wary campus.

  “Naw, naw,” he disagrees, “a white girl.” But his emphasis carries little information: in Romeo’s typology, one must reach Dee Dee’s age before becoming a woman. Romeo squints, searching for the right adjective. “Sweet,” he says at last.

  Sweet is one of Romeo’s several words for attractive. Now I am thinking student, but I am at a loss to understand how one of my students would track me here—or why, having found me, she would not wait for me to come upstairs.

  “Did you ever see her before, Romeo?” Dee Dee asks the question that should have occurred to me.

  “No, Miss Dee Dee. Oh, yeah!” A sudden light comes into his eyes. One of those huge hands comes swinging up, offering a white legal-sized envelope. “She say somebody pay her to give this to the Pro.” Meaning me.

  “What is it?” asks Dee Dee, addressing the question to the Pro.

  “I don’t know,” I admit. “Some kind of envelope.” I take it from Romeo, examine the front. My full name and title and my correct law school address are typed neatly on the front. There is no stamp. There is no return address. I heft it, then squeeze it. Something small and hard is inside. Like a tube of lipstick. I frown. Every university in the country has warned its faculty about opening letters from unknown senders, but I have always been nosey.

  Besides, you have to die of something.

  “Did she say who paid her?” I ask, mostly to play for time.

  “No.”

  My frown deepens. Somebody paid somebody else to deliver an envelope to me—at the soup kitchen. But how could anybody know I would be at the soup kitchen? I did not know myself until an hour ago. Did I mention it to anybody? I don’t think so. I didn’t even see anybody as I left the building, other than a random student or two. Did somebody follow me? I shake my head. If Romeo doesn’t even know who brought it, I certainly will never figure out who sent it. If the person who delivered it was a female student, well, there are only three thousand of them on the campus, five thousand more at the state university a few miles away.

  “Huh,” I say intelligently.

  Dee Dee shrugs and wanders back downstairs: she has a lunch to run. So Romeo is my only company as I tear open the letter—from the side, not the flap, because there is no need to take chances—and tip the contents into my palm. A cylinder of paper, perhaps two inches long, spills out. No note, nothing written, just this tiny bundle. Adhesive tape winds around it in a sloppy spiral: somebody went to a lot of trouble to protect whatever the paper covers.

  “Open it, Pro,” says Romeo, like a child on Christmas morning.

  I peel off the tape as gracefully as I am able, unwrap the paper, and find, inside, the missing white pawn from my father’s hand-turned chess set.

  CHAPTER 13

  A FAMILIAR FACE

  (I)

  THE WEIRD PART is that there is nobody to tell. Walking back to the law school as the early November afternoon turns gray and brisk, I am struck by how . . . how friendless an existence I have managed to create. I pass the coffeehouses and photocopying shops and trendy little clothing stores that seem to border every campus in America. I pass flurries of undergrads who, despite their proudly proclaimed diversity, look more and more the same. And think more and more the same, too, for the range of acceptable campus opinion, on almost every subject, narrows depressingly with each passing year. I pass the jam-packed satellite lots that represent the university’s passive-aggressive answer to the problem of campus traffic: make parking hopelessly inconvenient, some faceless bureaucrat has decreed, and most students and employees will leave their cars at home. The endless sea of automobiles parked overtime at the meters on Town Street and Eastern Avenue is the rebuttal of the idea, but a university administration is like an ocean liner: it does n
ot turn swiftly or easily, even when there is ice ahead.

  Come to think of it, neither do I.

  Twice I take the pawn from my pocket and examine it closely, as though it is likely to mutate at any moment. I suppose I should call the FBI or Cassie Meadows to make some kind of official report, but I am oddly reluctant. I do not feel threatened in any way. The pawn is not a warning. It is a message. I would like some time to work out its meaning.

  In whom might I confide? Not Addison. He is hunkering down, unreachable. Not Mariah, who is growing ever crazier on the subject of the Judge’s death, and who, were I to call her, would transform the pawn into the symbol of a bullet or a vial of poison.

  “Nobody to tell,” I mutter to the air.

  I cross the chilly campus, head down, hands in the pocket of my threadbare Burberry raincoat. As I reach the Original Quad, as it is called, where the oldest still-extant university buildings stand, I continue to review my meager options. I could talk to Kimmer, perhaps, when she is back from San Francisco, where she is once more doing due diligence with Gerald Nathanson, but I am supposed to be letting the matter die. Or perhaps I could talk to Dear Dana, who would turn it into a joke, or Rob Saltpeter, who would—

  I am being followed.

  At first I am not sure. The man in the green windbreaker, with the alarmingly familiar face, shows up just as I pass under one of the four stone arches that mark the boundaries of the Original Quad. I stop to say hello to a political scientist whose daughter attends preschool with Bentley. She says something about the construction of the new art museum on the corner, and we both turn to look, and there he is, a few dozen yards away, on the edge of a crowd of students. He makes no effort to hide, but just returns my scrutiny with a straight and watchful stare.

  Even at this distance, I am depressingly sure I know who it is: McDermott, no first name offered, the man who pretended to be an FBI agent just two weeks ago in the living room of my father’s house on Shepard Street.